Friday, April 20, 2012

what we obsess over

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The era of the 1st Joker’s Card album, Carnival of Carnage 1 � 1

In October of 1, Insane Clown Posse’s first LP, Carnival of Carnage, began the series of six Joker’s Card albums that took ten years to complete. Full of violently slapstick lyrics of vigilante-style revenge against those who perpetrate evil in the world, Carnival of Carnage fully established ICP’s look and musical style. With live shows also came new innovations, namely their trademark use of Faygo soda, which the group began dousing crowds with.

Working closely with their self-owned label, Psychopathic Records, ICP was quickly becoming a cult sensation in Detroit. Many were receiving the message locally, but it was time to expand into the national scene.

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The era of the nd Joker’s Card album, The Ringmaster 14 � 15

14 saw the release of the second Joker’s Card album, Ringmaster. Fans were more than ready, and record sales reflected this. Strong sales caught the attention of local Detroit music leaders, and helped establish ICP as a group that was on the rise. By now, ICP had fully converted to professional musicians backed by a small but growing Psychopathic Records team. The face paint, the Faygo throwing, and the hard core, carnival-inspired musical style were quickly becoming the group’s unmistakable trademark.

A local hit radio single lead to growing recognition in Detroit and throughout the Midwest. Insane Clown Posse was entering the radar of national labels. Meanwhile, Psychopathic Records was itself growing into an established company, branching out into peripheral ICP merchandising as well.

The era of the rd Joker’s Card album, The Riddle Box 15 � 16

With over 100,000 records sold in the Midwest, Insane Clown Posse and Psychopathic Records looked towards the large record labels to further promote the group and its message. They signed with New York based Jive Records, who released The Riddle Box, the third Joker’s Card album, in 15. While Psychopathic Records promoted the album in Detroit, Dallas, and elsewhere, Jive did relatively little. Psychopathic Records sent out street teams, covering the country coast to coast, city by city, without the benefit of radio support. From the ground up, these teams of vans laid the foundation of what would later become an underground nation of fans, called Juggalos.

Despite the lack of mainstream support, this was an exciting time in the lives and careers of Insane Clown Posse and the people behind Psychopathic Records. Two videos for a hit single were shot. ICP’s cult following was growing into a nation-wide phenomenon, as the band broke ground in the underground.

The era of the 4th Joker’s Card album, The Great Milenko 17 � 18

As their underground popularity grew, other records labels began to take interest in Insane Clown Posse. Moving from Jive, ICP signed a million-dollar contract with Disney’s Hollywood Records to release the fourth Joker’s Card album, The Great Milenko, in 17. In a catastrophe turned blessing, it was pulled from the shelves six hours after dropping because of pressure from The Southern Baptist Federation.

Far from silencing ICP, this action had the opposite effect, pole-vaulting the wicked clown duo into a media frenzy, feeding on the “bad” publicity. This sparked a bidding war between major labels, bringing ICP and The Great Milenko (with new tracks and fully uncensored) to Polygram-owned Island Records. The Island team had what Psychopathic Records and ICP were looking for all along the heart and dedication needed to truly promote their album, their musical style, and their message. The Great Milenko went on to be certified platinum, sound scanning 1.4 million, and is currently a record holder for one of the longest running albums in Billboard Top 00 history.

The Great Milenko’s success brought Insane Clown Posse to a new level. Not only were they reaching a nation-wide audience, but they began touring in Europe, where they met unexpected acceptance. Aside from touring, Violent J and Shaggy themselves delved into the world of wrestling, where they joined the World Wrestling Federation (WWF), then moved to World Championship Wrestling (WCW).

The era of the 5th Joker’s Card album, The Amazing Jeckel Brothers 1 � 001

Riding a tidal wave of publicity and fan support, Insane Clown Posse prepared to release their fifth Joker’s Card album in June 1. The Amazing Jeckel Brothers debuted at #4 on the Billboard Charts, just behind The Backstreet Boys. Considering the lack of radio/MTV play and media support, this was a major achievement, and one that did not go unnoticed in the music industry. The Amazing Jeckel Brothers was quickly certified platinum.

1 and 000 saw Insane Clown Posse touring throughout the county, both in larger arenas, including an appearance at Woodstock Music Festival, and covering lesser markets at small venues. ICP also appeared on the cover of several magazines, including Alternative Press, with that issue going on to break all AP sales records. They released a successful comic book series through Chaos! Comics. ICP even started an independent wrestling promotion called Juggalo Championship Wrestling (JCW), which went on to become the second highest grossing promotion in the U.S.

As the turn of the millennium approached, Insane Clown Posse’s vision only became larger and clearer. Juggling music and wrestling, ICP also advanced their film interests. They released a full-length motion picture called Big Money Hustlas, featuring appearances by such notables as Rudy Ray Moore (Dolomite), The Jerky Boys, Harland Williams, WWF’s Mankind, Fred “Rerun” Barry, The Misfits, etc.

Insane Clown Posse and Psychopathic Records made significant and groundbreaking expansions during this time, all setting the stage for the long-awaited sixth and final Joker’s Card album. Only with such a far-reaching and diverse foundation, could the sixth and final Joker’s Card become what it had always been envisioned and planned to be. The only ones more excited at the start of this new ear than the masses of Juggalos are Insane Clown Posse themselves and the people behind them at Psychopathic Records. Ten years of tireless dedication is coming to a head, right now.

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